By ceramics, Stephanie Shih considers the disillusioning prize of domestic bliss – colossal

a ceramic sculpture of a tv dinner platter rotating inside of a lit microwave. three boxes of tv dinners sit above the microwave, including Stouffer

Nothing says true love like arguing about who left the cap of the toothpaste, right? From a dark comic perspective, Stephanie Shih Investigates the multiple meanings of “domestic bliss” in a social landscape loaded with consumerism and clashing politics.

It all started with the self -help book from 1998, Divorce for dummies. The sardonic humor of a Goofy Cartoon – character who only held a finger offering a council for a person’s broken marriage – for the totally reasonable price of $ 19.99 – was a catalyst for Shih’s interest in the capitalist absurdity that came with the parting tree of the 1980s and 90s.

An arrangement of realistic ceramic sculptures, including a retro iron and the book "Prisoner of Desire" rests on an ironing board with floral print
“Chops” (2024). Photo by Robert Bredvad

Shifting social and cultural factors, such as the introduction of Laws with no fault divorce laws And Emerging waves of feminismHad a drastic influence on the prospects on separation in America. Rising individualism, disillusion with the idea of ​​a nuclear family and the recovery of female independence all played a role in the cancellation rates that have doubled for those over the age of 35.

Applicable in Shih’s Solo exhibition DomesticThe artist established in Brooklyn explains what the gallery, Alexander Berggruen, describes as ‘artifacts of a single household’. The series of objects evokes the reality of a time when materialism, distorted expectations and self -hatred created a perfect storm.

A thigh master who is probably ordered at QVC in the deep hours of the night is only on a pedestal and embodies the ways in which consumer culture was hunting for uncertainties, only to sell women the illusion of control. Prisoner of desire Rest on a ironing board to hold your place, because escapism is interrupted by the mediocreiveness of chores. TV -dinners stack on top of a glowing microwave to indicate Power Dynamics, a considerable part of the hungry man reserved for the father and the smallest box reserved for the mother.

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Expansion of its earlier domestic sculptures, every ceramic object evokes a sense of realism, thanks to the thoroughness of the artist. As the exhibition text explains, Shih “ebay entries for photo references and exact dimensions of stopped packaging is shooting to form each object faithfully in his era suitable.” A series of materials and techniques is then applied to any form, such as hand -painted underlaze, painted resin and even electric elements such as lighting. Every step of the road often brings the artist the everyday with liveliness.

Domestic can be seen on Alexander Berggruen In New York City up to and including 26 February. Find much more about Shih’s Instagram And website.

A realistic ceramic image of a broken wine glass swept into a substance
“Solution” (2024). Photo by Robert Bredvad
An arrangement of realistic ceramic sculptures including a ground button light beer can, a jug with solo detergent, a used ashtray and a box of set of sandwiches steel video tapes.
Photo by Robert Bredvad
A realistic ceramic sculpture of an open Alanis Morissette CD case
“Jagged Little Pill” (2024). Photo by Robert Bredvad
An arrangement of realistic ceramic sculptures, including a box of matte flakes, an ashtray, a tube toothpaste, a bread from Wonderbrood and a thighmaster.
Installation of “domestic bliss” (2024). Photo by Dario Lasagni
A realistic ceramic image of a happy meal with peanuts illustrations on the box
“Happy Meal” (2024). Photo by Robert Bredvad
A realistic ceramic sculpture of a retro box with warm bags
“Hot Pockets” (2024). Photo by Robert Bredvad
An arrangement of realistic ceramic sculptures, including a box of sandwiches steel videos, cup noodles, a box of diabolical food cookies and head and shoulders.
Installation of “domestic bliss” (2024). Photo by Dario Lasagni
An arrangement of realistic ceramic book sculptures, including "Separation for dummies", "Women who love too much", "men are from Mars, women are from Venus" and "Zen and the Art of Motorcycle Maintenance"
Installation of “domestic bliss” (2024). Photo by Dario Lasagni

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