Transparent, glass-like surfaces sweep by Daniel Mullen‘s canvases, dancing through the color spectrum and layered or rotating with mathematical precision. The Amsterdam artist (formerly) has long been fascinated by the way pigments relate to each other and invite depth or contrast through opacity and tonal shifts.
“Right now, my work is taking shape in three forms: paintings on linen, wooden cutouts that interact directly with the surrounding space, and sculptural pieces that play with illusion, light, and form,” Mullen tells Colossal. “In these three media, the rectangle acts as a primary anchor, creating a framework for color and abstract illusion.”
The artist is currently working on a series called helix, in which he concentrates on capturing movement and rhythm through a sober palette. Quinacridone magenta, primary yellow and turquoise phthalo – a family of blue and green pigments – form the basis of these explorations, allowing him to delve into their interactions and nuances.
As if individual, tinted panes of glass are superimposed in a rotating arrangement, the three hues work together to produce vibrant oranges, violets and blues that seem to glow from within.
Earlier this year, Mullen released his first book, Transfigurationswhich shows more than forty works that are the result of his research into form, color and optical vibrations. “I consider it more of an art object than a traditional book, reflecting my ongoing research into geometry and perception.
Mullen is currently preparing for two solo exhibitions in Lima and São Paulo next spring. Find more about him websitewhere you can buy Transfigurations, and follow up on updates Instagram.
