Colossal’s Top Articles of 2024 — Colossal

Colossal's Top Articles of 2024 — Colossal

Throughout 2024, we were awestruck by archaeological finds, vibrant paintings, striking sculptures, remarkable photography, immersive installations and much more. It’s hard to choose just 10 top articles for the year!

Luckily for us, dear Colossal readers, you helped choose the best one. Below, dive into our most-read stories on the site from the past twelve months, and find hundreds more in the archive.

“Untitled (after François Gérard)” (2023), oil on canvas, 100 x 80 centimeters. Images © Ewa Juszkiewicz, courtesy of Almine Rech

Ewa Juszkiewicz’s reimagined historical portraits of women explore the nature of concealment

From elaborate hairstyles to hypertrophic mushrooms, a range of unexpected facial coverings appear in Ewa Juszkiewicz’s portraits. Drawing on stately likenesses of women, mainly from the 18th and 19th centuries, the artist places fabrics, bouquets of fruit, leaves and more over the women’s faces.

Image courtesy of Greg Jensen

A rare cross-sectional illustration reveals the infamous events in the Walled City of Kowloon

At its peak in the 1990s, Hong Kong’s Kowloon Walled City housed approximately 50,000 people. The population is unremarkable for small cities, but what set Kowloon apart from other cities of the same size was its density. For a now sold out book with the title Kowloon City: An Illustrated Guideartist Hitomi Terasawa made a meticulous cross-section of the urban phenomenon to preserve its memory.

Image © Isak Finnbogason

Remarkable drone footage captures a new volcanic eruption in Iceland

In January, photographer and drone pilot Isak Finnbogason captured stunning images of an eruption on Iceland’s Reykjanes Peninsula in December, documenting the nearly two-mile-long lava flow on its first day of activity.

“Water lilies in bloom” (2023), oil on canvas. Image courtesy of Erin Hanson

Landscapes radiate light and drama in Erin Hanson’s vibrant oil paintings

In vibrant pinks, blues and greens, radiant landscapes emerge in Erin Hanson’s impressionistic oil paintings. The artist is based in Oregon’s Willamette Valley, where the rolling hills and surrounding mountain ranges are home to miles of vineyards.

See also  Through monumental installations of soap and stones, Jesse Krimes interrogates the colossal prison system
Image © Richard Johnson

Framed by Frozen Lakes, Richard Johnson’s ‘Ice Huts’ capture winter communities in Canada

Each year, Ontario’s 279-square-mile Lake Simcoe attracts more people for its ice fishing than any other lake in North America, attracting more than 4,000 cabins each year. The colorful villages caught the attention of Toronto-based architectural photographer Richard Johnson (1957-2021), who captured hundreds of structures, from artistic to ad hoc, in a series of bold portraits taken between 2007 and 2019.

This handout photo, released by the Italian Ministry of Culture on December 12, 2023, shows mosaics uncovered in a luxurious Roman house near the Colosseum. The building, which dates between the second half of the 2nd century BC and the end of the 1st century BC, is "an authentic treasure," Culture Minister Gennaro Sangiuliano said in a statement. Three large ships ride waves in the mosaic toward a coastal city, its walls dotted with small towers and porticos in a scene that suggests the owner of the more than 2,000-year-old house, or domus, had emerged victorious in battle. (Photo by Handout / ITALIAN MINISTRY OF CULTURE / AFP) / LIMITED TO EDITORIAL USE - MANDATORY CREDIT "AFP PHOTO / " - NO MARKETING NO ADVERTISING CAMPAIGNS - DISTRIBUTED AS A SERVICE TO CUSTOMERS
Image courtesy of the Italian Ministry of Culture / AFP Photo

Archaeologists discover an extraordinary 2,100-year-old mosaic near the Colosseum

Early this year we shared the news that the Italian Ministry of Culture had made a remarkable discovery in the heart of Rome. In the late Republican era, a luxurious mansion was laden with designs made of shells, glass, white marble and Egyptian blue tiles. A large ‘rustic’ mosaic dating from the last decades of the 2nd century BC – just over 2,100 years ago – was probably inspired by the decorative styles of Near Eastern monarchies.

‘The entire book of Psalms.’ London: Company of Stationers, 1643. Image courtesy of The Grolier Club

‘To Judge a Book by its Cover’ spans seven centuries and celebrates an enduring art

The Grolier Club Exhibition, To judge a book by its cover, highlighted some of the most unique editions within the collection, including a pigskin and brass-bound edition Jewish Antiquities and the Jewish War made for a Benedictine monastery in Bavaria around 1473 – the oldest in the club’s library. The collection also includes several religious texts, such as the miniature book of psalms above, made by women at the Royal Exchange in London using a variety of silk and gold threads.

Image courtesy of Wally Dion, shared with permission

Vibrant, translucent quilts from Wally Dion merge native culture and create traditions

See also  Biologist Karen Lips investigates disappearing tree frogs in 'The Waiting' - Colossal

For many rural and economically strapped communities throughout history, quilting was a necessity. Tattered clothes and blankets were cut up and transformed into new blankets, with the patchwork styles evidence of the fabrics’ previous use. For indigenous peoples, however, quilts “have a particularly important cultural value,” says artist Wally Dion, “and appear as gifts, ceremonial objects and festive decorations.”

“Yes [Loy]” (2019), Arjunpur Amra Sabai Club, Kolkata. Photo by Vivian Sarky. Image courtesy of Asim Waqif

Compelling bamboo installations by Asim Waqif swirl and sway in monumental movement

In his monumental, swirling structures, Delhi-based artist Asim Waqif combines principles of architecture and sculpture to create dramatic site-specific compositions. He uses natural materials such as bamboo and pandanus leaves and often incorporates found objects, scaffolding, sound elements, fabrics and rope.

an abstract ceramic sculpture of a green shape with a flame-like texture on the back, with four legs
“Animal in the wind” (2014), clay, 36.7 x 20.8 x 30 centimeters. Image courtesy of JiSook Jung

From fire to wind: JiSook Jung’s ceramic sculptures animate the elements

JiSook Jung has long been drawn to clay because of its inherent malleability. “Clay has the advantage that I can quickly transform an image in my mind into a visual form because it is soft and plastic,” the Seoul-based artist tells Colossal. “In that sense, I think clay is an intuitive and instinctive material.”

Source link