Fresh sets investigate the visual art of nail art

Fresh sets investigate the visual art of nail art

As a small-scale painter I have been interested in meticulous manicures since 2005, when my mother presented me the holy text Klutz’s Nail art tutorial book With six peel-off nail polishes. Twenty years later I turn into do-it-yourself-gelnails and poration about beauty and cultural writer Tembe Denton-Hurst’s Fresh sets: contemporary nail art from all over the world (2025), which contextualizes advanced manicures as a form of visual art and cultural expression.

In an insurmountable SEA or Nail Art tutorials, product reviews and inspiration photos that spread over social media, the photo album of Denton-Hurst is a static, useful snapshot of the state of visual art manicures today. Denton-Hurst threw a wide network, included selected interviews and work samples from 35 international artists from Mexico, India, Japan, Korea and in the United States and Europe. In a short introduction, She follows the exponential growth of salon culture and nail art in the past two centuries, and emphasized how Vietnamese immigrants began to shape the industry in the United States in the 1970s And the historical significance of adapted nail art as a form of personal style for black women.

In an interview, Denton-Hurst told me that the driving force behind the project was not only to allow readers to appreciate their nail artists more, but also to draw attention to both the visual arts and the fashion applications of the form by emphasizing artists who do boundary work in the field.

“The thing that was the most interesting for me was the reach of experience with every recorded artist,” she said in a phone call. “Some have been doing nails for many, many years, while other people had come to the practice more recently.”

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Denton-Hurst noted that many art and design workers in 2020 penetrate Nail Art during quarantine; I did it too. With the pandemic that raged around us, nail art became an outlet for both fear and boredom, so that artists could regain a sense of control and restore their creativity to a time of uncertainty and limited resources.

“I feel that it is so symbolic for the way in which the nail art conversation shifts and that people who are classically trained say:” Do you know what? I have to bring this nails, “” she went on.

Nails by Kumi (© Kiel Wode)

This new era of avant-garde nails has continued to evolve in recent years, because material science is progressing with human imagination. Denton-Hurst quotes the beginning of 2017 of the Aprés Gel-X nail extension system as a catalyst for experimental nail art, and new products for two and three-dimensional designs regularly shake up the industry. From 3D elements on natural nail foundations to what I could only describe as portable sculptures that sprout from fingertips, Nail Art has far surpassed the limits of a curved millimeters long canvas.

Photographed in Fresh setssculpted novelty nails by Juan Alvear And Nathan Taylor Stand up as a structural and conceptual great. The artist based in Moscow Margarita Tsibizova Embraces the grotesque with its characteristic “dirtycore” claw extensions, while Tahvya “tav” croquseFine Line Precision References to art -historical forms, of Manga to Mandalas and Victor Vasarely’s on Art on the Impressionism of Claude Monet.

Fresh sets Ultimately emphasizes manicures as a medium for cultural and personal expression for both artists and customers. Denton-Hurst emphasizes racial racial and gender critiques of nail art as impractical, frivolous and unprofessional and emphasizes that this portable art form is not only an extension of our fingertips, but an extension of ourselves, our heritage, our interests and our stories.



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