‘Hold to This Earth’ explores the abundance of American Native contemporary art – colossal

a photograph of an Indigenous woman in an orange setting, surrounded by weavings, a drum, chiles, and other Southwest cultural objects, surrounded by a patterned frame

From the beaded phrases of Jeffrey Gibson’s sculptural weaves to Jaune Quick to see Smith‘s canoe series to Raven Crescent‘s fingerprint-textured tribute, a new exhibition marks the largest presentation of American Indigenous work in Britain to date.

Opening next week, Hold on to this earth bee Yorkshire Sculpture Park contains nearly 70 pieces by 38 artists, who in turn represent 35 tribal nations. “(The artists) reference and honor ancestral knowledge while being steadfastly contemporary, asserting a powerful presence and countering narratives of erasure that too often position indigenous cultures solely in terms of the past,” says a statement from Tia collectionfrom which the pieces are drawn.

a colorful woven glass bead with geometric patterns
Jeffrey Gibson, “TO MY NATION” (2017), glass beads, artificial sinew, trading post weaving, metal studs, copper and pewter bells, nylon fringe, acrylic felt, canvas, wood. ©Jeffrey Gibson. Image courtesy of the artist and Roberts Projects, Culver City

Colossal readers will recognize works by Cannupa Hanska Luger, Dyani White Hawk, Nicholas Galanin and more. The range of media highlights the diverse materials and approaches used by Indigenous contemporary artists and nods to cultural traditions, heritage crafts and precious landscapes, while also considering socio-economic issues, visibility and representation, and technology.

“Materials such as clay, skins, wool, beads and natural pigments become carriers of powerful stories, memory and tradition, rooted in connection with the earth,” says Tia Collection. “Newer forms of expression and understanding emerging from digital culture also speak to the changing landscapes of Indigenous life in the 21st century.”

Hold on to this earth opens on June 13 and runs until April 18, 2027 in Wakefield. Stay informed about exhibitions with works from the Tia collection Instagram.

a colorful figurative sculpture in artistic clothing suggesting an American native trickster figure
Cannupa Hanska Luger, “Sweet Land: Coyote 2” (2020), mixed media. © Cannupa Hanska Luger. Photo by James Hart Photography
a black and white portrait of Native American women standing in front of Shiprock, New Mexico
Zoë Urness, “No More Stolen Sisters” (2019), analog recording-digital chromogenic output on Fuji Crystal Archive paper with UV overlaminate mounted on Dibond aluminum substrate. © Zoë Urness. Image courtesy of the artist
an abstract, ceramic figurative sculpture in ceramic
Raven Halfmoon, ‘The Watchers’ (2024). © Raven Halve Maan. Photo courtesy of Salon 94
an abstract artwork of leather and yarn with a large blue area and a border of red, teal, pink and gray
Teresa Baker, “Infinite” (2023), buckskin, thread, spray paint. © Teresa Baker, courtesy of the artist and farmer, Los Angeles. Photo by Jacob Filip
an acrylic painting on a deer skin that resembles the night sky
Nicholas Galanin, “Ancestral Map of Return” (2023), pigment and acrylic on deer skin. © Nicholas Galanin. Image courtesy of the artist and Peter Blum Gallery, New York. Photo by Jason Wych
a figurative sculpture made of ceramic, steel and other materials of a woman with tattoos and giant pins all over her body like a halo
Rose B. Simpson, “Tonantzin” (2021), ceramic, steel, leather, brass. © Rose B. Simpson. Image courtesy of Chiaroscuro Contemporary Art. Photo by Addison Doty
a sculpture consisting of two piles of woolen blankets that appear to be impaled by two I-beams
Marie Watt, “Skywalker/Skyscraper (Twins) Flint & Sapling” (2020), recycled wool blankets, steel I-beam. © Marie Watt. Image courtesy of Marie Watt Studio and MARC STRAUS, New York
an abstract wooden and mixed-media sculpture that is loosely figurative
Sheldon Harvey, Untitled, mixed media. © Sheldon Harvey. Photo by James Hart Photography



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