Joyce Lin’s Uncanny Objects blurs the distinction between reality and the fantastic – colossally

a sculpture of a piece of cake on a plate with a knife, but the cake is sliced open and appears like a hunk of tree, with raw wood inside and bark on the outside

Whether encased in clear acrylic or seemingly carved from a single tree, Joyce Lin‘s sculptures explore themes of interconnectedness and the Anthropocenewhich describes the most recent era of our planet and the way humans are significantly influencing ecosystems and climate.

“I am both disturbed and fascinated by the paradoxes of industrialized society,” Lin said in a statement, “where production and disposal methods are often hidden from public view, but people have more technology than ever to make their imaginary worlds real.” . ”

two views of a sculptural chair that looks like it was cut directly from the middle of a tree, with bark on the back
“Wood Chair in Oak” (2024), oil paint, epoxy clay, plywood, MDF and wood, 16.5 x 16.25 x 34.75 inches

Lin’s eerie pieces fuse form and function, taking the recognizable shapes of furniture and food and transforming them into playful meditations on mass production and consumption. She often uses organic materials such as wood, supplementing the surfaces with synthetic media such as epoxy, resin and oil paint to preserve their appearance forever. Some work, like the Wooden chair series, are composed entirely of specially designed materials.

“I like to dissect and understand things, and my works often feature objects – usually a chair – cut open to reveal an inner structure; to express an inner truth, as it were,” Lin tells Colossal. She manipulates the structures extensively, blurring the reality of what she describes as the ‘inside’ and the ‘outside’, giving the composition a fantastic quality.

“I don’t think they’re that convincing when you really zoom in, so it’s interesting to see people assuming they’re somehow adult or AI-generated, even though they require an incredible amount of manual labor and time to to create,” Lin adds. “I often think about distortions in our perception of reality, (and that’s) probably why people keep sending me those ‘is-it-cake’ videos.”

See also  From fire to wind, JiSook Jung's ceramic sculptures animate the elements - colossally

The artist is currently working towards a solo exhibition later this year R & companyand you can discover more about her website And Instagram.

a sculptural chair in which wooden pieces such as the seat, LEDs and backrest are individually covered with plexiglass
“Exploded Chair” (2019), maple and acrylic, 16 x 16 x 35 inches
three wooden banana sculptures
“Woodnanas” (2024) wood, steel, polyester resin and epoxy clay
a sculptural chair that looks like it was cut straight from the middle of a tree, with bark on the back
“Wood Chair in Ash” (2024), oil paint, epoxy clay, plywood, MDF and wood. Beetles: epoxy, wire, 16.5 x 16.25 x 34.75 inches
a detail of a sculptural chair that looks like it was cut straight from the middle of a tree, with bark on the back, and a small beetle crawling along the edge
Detail of “Wooden chair in ash wood”
a sculptural chair that looks like it has long fur or dreads, like a komondor or a similar dog
“Root Chair” (2023), found driftwood and walnut stain, 29 x 30 x 34 inches
a sculptural stool that looks like it was cut straight from the middle of a tree, with bark on one side
“Wooden Stool”



Source link