OSGEMEOS unveils a fantastic children’s universe in their largest American exhibition to date: colossal

a collection of speakers painted with yellow and brown faces against a pink wall. a gramophone and boombox painted similarly stand in the front

As children in São Paulo, twin brothers Gustavo and Otavio Pandolfo invented a universe they called Tritrez. The mystical place was home to countless yellow figures with bulbous heads and lanky bodies and promoted strange, but friendly behavior.

“Yellow has been a very spiritual color for us since we started drawing,” the couple told their gallery. Lehmann Maupin. “When we were drawing at our mother’s house, the sun would come through the windows and the studio would turn yellow. That’s why we always found it mystical, peaceful and harmonious.”

an installation view of a figurative sculpture encased in a rainbow-colored beam of a flying saucer. three colorful paintings with figures decorate the walls behind them
Installation view of OSGEMEOS, “Chuva de verão (Summer Rain)” (2008), “O abduzido (The Abductee)” (2020), “The Garden” (2020) and “The Sunset” (2019). Photo by Rick Coulby

The brothers largely operate as one with shared dreams and the uncanny ability to finish each other’s thoughts OSGEMEOS (formerly), which translates to ‘the twins’ in Portuguese. Their works, rooted in graffiti and street art, will be on display at the Smithsonian’s Hirshhorn Museum and Sculpture Garden later this month for their largest U.S. exhibition to date.

Comprising 1,000 paintings, sculptures, photographs and archival objects, OSGEMEOS: Endless story follows the brothers’ creative evolution, recreating details from their childhood bedrooms and the infrastructure and walls they painted murals on in their youth. Rarely seen sketches and early influences such as their mother’s embroideries are on display alongside many pieces never shown outside their native Brazil.

Hip-hop and breakdance play a prominent role in the work of OSGEMEOS, including in the extensive installation ‘Untitled (92 Speakers)’. Yellow and brown faces peer out of boxy speakers and converge on a pastel pink wall. A symmetrical gramophone and boombox painted in the same way stand on the lower floor of the gallery, referencing the artists’ enduring interest in music and its influence on culture.

See also  In 'Seeking an Exit' Gretchen Scherer escapes to great houses and galleries from the past - colossal

Other works lean further into the science fiction and supernatural realm. In the center of a gallery is a large, prismatic sculpture, depicting one of their signature figures surrounded by an alien beam protruding from a flying saucer. Similarly, the 2014 painting “Tritez” reveals the more fantastical details of the imagined realm: a blue patchwork whale cradling buildings on its back flies through the air, two siren-like characters dance in the moonlight, and a trio of figures clambers on top of it. of each other in colorful bizarre clothing.

a painting of a chaotic scene with yellow characters, some of which are naked, and a flying blue whale in the background. a flowing waterfall of gold is in the background
“Tritrez” (2014), spray paint and sequins on wood. Photo by Rick Coulby

“For us, Tritrez is our soul. It is our, shall we say, parallel world that we believe lives within us,” they say a video. “We believe that everyone has some kind of Tritrez in them. But sometimes you forget to see and sometimes you are afraid to see.”

The first monograph of OSGEMEOS’ work, written in English, accompanies the exhibition, which runs from September 29, 2024 to August 3, 2025, in Washington, DC. There is much more to see about the brothers’ works Instagramso head there to delve deeper into their whimsical world.

a detail of a collection of speakers painted with yellow and brown faces against a pink wall. a gramophone painted in the same way stands at the front
Detail of the installation view of “Untitled (92 Speakers)” (2019), “Gramophone” (2016) and “1983 – THE BOOMBOX” (2017). Photo by Rick Coulby
a painting of a train carriage covered in tags. a sign reads "not in use" and three figures peer through the doors with spray paint in their hands
“1980” (2020), mixed media with sequins on MDF, 86 1/4 × 125 9/16 × 2 inches
a collection of small framed portraits of yellow figures on a pink wall
“Retratos (Portraits)” (2023–2024), mixed media on MDF. Photo by Rick Coulby
a detail image of a collection of small framed portraits of yellow figures on a pink wall
Detail from “Retratos (Portraits)” (2023–2024), mixed media on MDF. Photo by Rick Coulby
a painting of a yellow man dancing with two other figures and children behind him. there are bottles and a dog on a shelf behind it
“O dia da festa de break (The Breakdancing Party’s Day)” (2016), mixed media on panel, 80 5/16 × 64 9/16 × 7 7/8 inches. (204×164×20cm). Photo by Max Yawney
A collection of drawings, paintings and figurative sculptures in yellow hangs in a display case
Detail of an installation view of ‘OSGEMEOS: Endless Story.’ Photo by Rick Coulby



Source link