Vibrant, immersive installations from Poh Sin Studio emphasize vulnerability as an enormous power

a detail of a vibrantly colored architectural pavilion made of metal poles and rope at night

From vibrant rope to metal frames to acrylic panels, the chromatic installations of Poh Sin studio invite viewers into glowing streets and expansive pavilions. Founded by Pamela Poh Sin Tan, the studio emphasizes public art as a means to foster relationships between people, their communities and their environments.

Tan’s compelling works blur the boundaries between disciplines and evoke a sense of curiosity and discovery. “I am particularly drawn to engaging audiences through art and creating experiences that inspire dialogue and connection,” she tells Colossal. “I believe that public art is a powerful catalyst for urban renewal and psychological well-being, providing moments of reflection, joy and connection.”

a detail of a vibrantly colored architectural pavilion made of bright red acrylic panels cut into undulating shapes
Detail of “Crimson Cloud”

For example, the artist says that her most recent installation, ‘Structural Resonance’, explores the interplay between art and architecture and embodies layers of spatial and experiential narratives. She is interested in how physical spaces interact with their environment and affect us visually and emotionally.

Embracing vulnerability as a form of strength is central to Tan’s practice and is reflected in the way soft materials, such as rope, complement those associated with resilience and durability, such as metal. “I find inspiration in overlooked details such as plant veins, diatoms, mechanical and electrical systems, or even the skeletal framework of objects like a piano,” she says. “These hidden elements contain a quiet beauty and complexity that I am happy to bring to light.”

According to Tan, art and architecture are inherently intertwined. Design and engineering provide structure, context and usability, while the artistic aspect adds a compelling story and emotion. “Together they reveal hidden dimensions, evoke movement and connect deeply with viewers,” she says.

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Find out more about Poh Sin Studios website And Instagram.

a large-scale ceiling installation of intricate metalwork
“Structural Resonance” (2024)
an aerial view of a vibrantly colored architectural pavilion made of metal poles and rope
“Projection: kite.” Photo by David Yeow
a detail of a vibrantly colored architectural pavilion made of metal poles and rope
Detail from “Projection: Kite” (2019). Photo by David Yeow
a yellow installation made of undulating pieces of arcyl, placed above a stairwell in a transit station
“Sunnyside Up” (2023) at MRT Pasar Seni, Kuala Lumpur, Malaysia
a yellow installation made of undulating pieces of arcyl, placed above a stairwell in a transit station, seen from above
“Sunnyside Up” (2023)
an aerial view of a vibrant red architectural pavilion made of bright red acrylic panels cut into wavy shapes
“Crimson Cloud” (2022), at Pavilion Kuala Lumpur, Malaysia
a detail of a vibrantly colored architectural pavilion made of bright red acrylic panels cut into undulating shapes
Detail of “Crimson Cloud”
an all-white installation of intricate metalwork in a white exhibition space
“Eden”
a large-scale ceiling installation of intricate metalwork
“Structural resonance”



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