Wayne Thiebaud’s passion for art history seems to be in ‘Art Comes from Art’ – Colossal

a painting by Wayne Thiebauld of a meal spread with dishes of fish, ham, chicken, appetizers, and desserts in pastel oil paint

If imitation is the most sincered form of flattery, Wayne Thiebaud (1920-2021) knew how the most fiery was. The renowned artist once said: “It is difficult for me to think of artists who did not influence me because I am such a flagrant thief.”

Next month, an important retrospective emphasizes that Thiebaud’s six-decennium is a career, with around 60 typical works that include a series of subjects. From his celebrated still lifes of dessert displays and prosaic household objects to portraits, cityscapes and vast natural views, Wayne Thiebaud: Art comes from art Takes a deep dive in the artist’s involvement in art history.

A painting of five people on chairs, with three men in the background and two women in the foreground, all confronted with something different directions
“Five sitting figures” (1965), oil on canvas, 60 x 72 inches

Thiebaud spent time in the 1950s with abstract artists such as Franz Kline and Elaine and Willem de Kooning in New York City, where he also meets Robert Rauschenberg and Jasper Johns. In the city, Thiebauded made small paintings of food on windows, which he further explored when he returned to California.

The career of Thiebaudud originated with a focus on illustration and cartoons, which were in line with the rise of pop art in the US in the early sixties. A reaction to the austerity of the first and second world wars, the movement celebrated daring colors, repetition and everyday objects and raw materials.

Art comes from art shows how Thiebruud borrowed from the breadth of European and American masterpieces, from Henri Matisse to Richard Diebenkorn to Andrea Mantegna. “I believe a lot in the tradition that art comes from art and nothing else,” the artist said.

Thiebaud has copied, re -interpreted, pureed and transformed art history into his own artistic vision, considered the cumulative work of other artists a kind of archive of repository – an encyclopedic ‘desk of Standard to Titans of the Western Art Canon.

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A painting of three gombal machines in a row against a white background
“Three machines” (1963), oil on canvas, 30 x 36 1/2 inch. Photo by Randy Dodson, thanks to the visual art museums of San Francisco

In oil paintings such as ’35 cent Masterpieces’, Thiebaud gives a representation of works of art that occur to postcards or bookshelves in a museum gift shop. And Lighting Redolent from Edward Hopper, also known for displaying everyday American scenes, contrasts the topics of ‘five sitting figures’. Together with Thiebuld’s lively, buttery images of meals and treats with characteristic glowing blue shadows, extra pieces of reference Rembrandt, George Seurat, Édouard Manet and much more.

Wayne Thiebaud: Art comes from art Opens at San Francisos Legion of honor On March 22 and will continue until 17 August. The show is accompanied by a catalog published by UC Press planned for release in mid -April. Find your copy Bookstore.

An oil painting by Wayne Thiebuld of two small chickens or chickens in a white enamel drawer with blue edges
“Bar-B-Qued Chickens” (1961), oil on Canvas, 19 x 24 inches
A dramatic vertical oil painting of mountainous gorges with small trees on top and a blue air background
“Canyon Mountains” (2011-2012), oil on canvas, 66 1/8 x 54 1/8 inch. Photo by Katherine du Tiel
A portrait of an oil painting of a woman against a white background, sitting behind a white table with her elbow on it, with an open book for her
“Betty Jean Thiebaud and Book” (1965-1969), oil on canvas, 36 x 30 inches
The cover of book art comes from art
For exhaust of ‘Art Comes from Art’ with “35 cents Masterworks” (1970-1972), oil on Canvas, 36 x 24 inches

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