Cubist figures wade into the shadowy depths of Connor Addison’s allegories – colossal

a nude woman wanders through cacti while dogs surround her

With light inevitably comes darkness, a dualism artist from Barcelona Connor Addison (rather) finds endlessly intriguing. “So often we forget to embrace the shadow because we think it is unlovable or invisible,” he says.

Addison is drawn to what he finds “in the space between our joy, passion, conscious thoughts and our fear… what lies in the shadows of our minds.” He often begins a painting with a question or thought that turns into an allegory. For example, ‘Brothers II’ arose from the following questions: ‘What is a brother/sister relationship? How do play and manipulation function between siblings?”

“Brothers II” (2024), 260 x 161 centimeters

“Visualization can be so spontaneous,” he adds. “The entire painting just appears when I brush my teeth, for example.”

Working in muted palettes of earth tones, Addison renders cubist figures with pointed flesh and geometric limbs. The removal of clothing and distinctive facial features appeals to universal feelings and emotions, such as unconditional love, fear and curiosity. He adds:

I like the idea that someone 2000 years in the future or the past would still find a work meaningful and understandable, perhaps even on an alien planet! Allegory is a powerful thing. Its popularity died as religion fell out of fashion and we became more literate, but I love a story captured in images. It can say so much more than the word.

Addison is preparing for his next solo show with Action Art in 2026. Follow his work Instagram.

a naked woman lies with a dog on a red floor
“How long must this silence echo” (2021), oil on linen, 140 x 89 centimeters
a naked woman with her back to the viewer leans against one of three trees growing in the center of a building. their awnings break through the roof
“Mother, Mother” (2021), oil on linen, 150 x 150 centimeters
a painting of a long colonnade with naked people in fear and fighting
“The conversation” (2023), oil on linen, 260 x 183 centimeters
a painting of a naked woman with long blond hair wrapped in pink cord in front of a drastically pointed building
‘Becoming myself without any end’ (2024), 263 x 142 centimeters
a painting on a gallery wall of a figure emerging from a hole in the ground with a red concrete-like surface surrounding it
“Something From Nothing” (2023), oil and watercolor on linen, 400 x 200 centimeters

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